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Category Archives: Theoretical Research
Juxtoposition
Working to our Animation clients stylistic requirements is proving to be challenging and rewarding at the same time. Many music tracks and sound effects have been changed due to our client’s preference on the sound of elements within the soundtrack. Chion’s … Continue reading
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Theoretical approaches to Foley
My research into carrying out Foley was often research online. Which provided me with a lot of information and theories in creating certain sounds. These are some of the sounds that I found in my research applicable to my re-design … Continue reading
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Shifting a scene’s feeling
In Sonnenschien’s sound design (2001) he states that the most obvious shifts in physical space occur from the changing of location. As this is often escorted by the audio we were to apply this technique to our animation soundtrack, as … Continue reading
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Importance of realistic sound
Chion’s term added value, explores the expressive and informative value that sound gives to the image, and how it can create the definite impression in the immediate or remembered experience an audience has of it. It is therefore essential to make our … Continue reading
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Script Reading
I was conducting research in David Sonnenschien’s Sound Design (2001) and found some useful information when it comes to reading the scripts for film. He explores how reading a written script it is the “first listening” of the soundtrack. He states … Continue reading
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