Monthly Archives: May 2017

Reflective Summary

Overview This project was carried out with course colleague Ben Hollick. It has taught me a lot regarding the practical and theoretical side of sound design, freelance working and time management. Whilst collaborating with Ben, we made our aim to … Continue reading

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Juxtoposition

Working to our Animation clients stylistic requirements is proving to be challenging and rewarding at the same time. Many music tracks and sound effects have been changed due to our client’s preference on the sound of elements within the soundtrack. Chion’s … Continue reading

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Theoretical approaches to Foley

My research into carrying out Foley was often research online. Which provided me with a lot of information and theories in creating certain sounds. These are some of the sounds that I found in my research applicable to my re-design … Continue reading

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Shifting a scene’s feeling

In Sonnenschien’s sound design (2001) he states that the most obvious shifts in physical space occur from the changing of location. As this is often escorted by the audio we were to apply this technique to our animation soundtrack, as … Continue reading

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Practical Techniques

There were different elements in my soundtrack that allowed me to go and investigate how to conduct certain areas of sound design. This research directly related to my learning outcomes 1 and 3. See below for examples of this.    These … Continue reading

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